Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Prats, Santiago Rusinol
Retrato de la infanta Margarita Francisca

ID: 82273

Prats, Santiago Rusinol Retrato de la infanta Margarita Francisca
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Prats, Santiago Rusinol Retrato de la infanta Margarita Francisca


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Prats, Santiago Rusinol

Spanish, 1861-1931  Related Paintings of Prats, Santiago Rusinol :. | The Kitchen of the Moulin de la Galette | Garden in Aranjuez | The Old Faun | La Glorieta (Aranjuez) (mk20) | Calvario de Sagunto |
Related Artists:
Emile Jean Horace Vernet
French, 1789-1863,Painter, son of Carle Vernet. He was born in his father's lodgings at the Palais du Louvre, where his grandfather Joseph Vernet also lived; his maternal grandfather was Jean-Michel Moreau. To these antecedents and influences are ascribed the supreme ease of his public career, his almost incredible facility and his fecundity. His early training in his father's studio was supplemented by formal academic training with Francois-Andre Vincent until 1810, when he competed unsuccessfully for the Prix de Rome. He first exhibited at the Salon in 1812. In 1814 Vernet received the Legion d'honneur for the part he played in the defence of Paris, which he commemorated in the Clichy Gate: The Defence of Paris, 30 March 1814.
Theodore Caruelle D Aligny
Chaumes(Nievre) 1798 -Lyons 1871
Carl Wilhelmson
1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop






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